Judging SCALA’s FOOM Song Competition

I have the privilege of being one of the judges for this years SCALA FOOM (Festival Of Original Music) Song Competition and I’m having a great time doing it.

I’ve already judged one of the live heats a couple of weeks ago and at the moment I’ve shortlisted some songs in the demo section of the competition ready for another listen or two to determine a winner and some highly commended and commended songs.

I love being a songwriting judge because I get to give back to the songwriting community in the way of constructive feedback.

Even through some songs grab me more than others, I always learn something new about my own songwriting in general or, of the songwriter themselves through their songs and its that experience that I value so highly.

Some people have criticised FOOM (and songwriting competitions in general) in the past saying that there’s no room for competition in songwriting or, in fact any artistic endeavour. While I can see their point of view I can also see how the existence of songwriting contests can be of great benefit for some songwriters.

Sometimes a sense of purpose and/or a deadline to work towards can spark amazing feats of creativity in a songwriter and if FOOM or any other song competition can become a catalyst for the creation of new songs then how can that be a bad thing? FOOM gives the songwriter a unique chance to get really concise and constructive feedback on their songs which they can then use to improve their craft.

This feedback is meant to be taken for what it is, thoughts and observations coming from a place of love and respect for the songwriter, the song and the creative process as a whole. It’s not to be taken personally.

The giving of feedback is the thing I take very seriously and it’s something I’d like to see more of as a way of helping songwriters become better at their craft in general.

Peace,

Corey :)

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SCALA – I’m A Member And You Should Be Too

For those of you who don’t know, SCALA stands for Songwriters, Composers and Lyricists Association and it was formed in 1987 which makes 2010 its 23rd year of helping songwriters be the best they can be.

I’ve been a proud member of since 1992.

My first ever solo show was at SCALA. It was a Wednesday night, July 29th, 1992 at the Duke Of Brunswick Hotel and I clearly remember how intensely nervous I was.

As a result of those nerves getting the better of me that night I put in a terrible show and afterwards, I was ready to give up (yes I was that bad) except for the amazing support and encouragement of SCALA’s president Rob Childs and the rest of the crew.

I would even go further to say that I wouldn’t be doing what I’m doing today if it wasn’t for the existence of SCALA in my life. Period!

Over the years I have seen SCALA develop into an organisation that really has the development of emerging songwriters as its primary focus. It provides for its members:

Not bad for an organisation running on limited funds and with virtually no volunteer base for the past 23 years.

For a number of years now, I’ve been a member of the SCALA board as well as a resident songwriting judge for its FOOM (Festival Of Original Music) song competitions. I relish in the opportunity to give back to SCALA what it had originally given to me when I was first starting out.

Time, effort and support, the very things that SCALA can give to you now, if you decided to become a member.

I don’t get any money for promoting SCALA, I’m just writing this because I really do believe in the power of community and the grassroots support for the next generation of talented songwriters and artists out there. I mean, my own efforts in running the Open Mic Network has been largely inspired by my involvement with SCALA.

The more I walk on my musical path, the more I realise that we are all in this music business thing together and organisations like SCALA just make the journey a little easier for those who choose to take that first step.

Peace,

Corey :)

PS: Here are some SCALA links for you to check out – Website | Facebook | MySpace | Twitter

Everybody Has A Story – A Song

This song first started out as a musical idea inspired by me mucking around on the piano which I then hammered out on Logic. Adrian and I then nutted out the lyrics in a separate 3 hour session.

The interesting thing about this songs writing process is that it wasn’t until the very end when we stumbled upon the song title that both Adrian and I knew roughly what the song was about.

There were many times that we both stared blankly into the computer screen not knowing where to go to next however, we triumphed and this is the end result…


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Everybody Has A Story
© 2010 C. Stewart/A. Miller

Somewhere in someone else’s story
I had a minor part to play
I was the kid standing on the corner
Watching the passing parade

Nobody noticed me
Nobody noticed me, but I was there

Where am I when the spotlights shining?
I’m a thousand miles away
I’m the guy standing in the shadows
When they’re handing out accolades

Nobody notices
Nobody notices, but I am there
Nobody notices
Nobody notices, but I am there

I may not be famous, stand out in a crowd
Or shout from the rooftops, noisy and proud
But this is my story and I want you to know
What is important and what can be let go
Stop what you’re doing, a moment or two
I’ll tell you something that I think is true
The more that you listen the sooner you’ll see
That everybody has a story, yes, even me

Someday in another lifetime
On any given day
You might ask me what I was doing
What it was that I had to say

Did you notice me?
Did you notice me? While I was there
Did you notice me?
Did you notice me? While I was there


Everyone does have a story to tell, we just need to take the time to listen to it.

Peace,

Corey :)

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All You Need Is Four Chords To Write A Hit Song

Below is a video of a skit performed by Australian musical comedy act “Axis Of Awesome.”

This video clearly demonstrates how important song lyrics and vocal melody are in writing and how the song arrangement (in this case it’s the chord progression E B C#m A) is a foundation in which the lyrics and melody of the featured songs are built upon.

It’s also very, very funny to watch. Enjoy!

Peace,

Corey :)

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Running Out Of Love – A Song

Pen and Paper
Image by Kristian D. via Flickr

“Running Out Of Love” is the third song that I’ve collaborated with Adrian Miller on and the first re-write we’ve done together.

This song was actually a half finished piece I had languishing in my archives for a few years called “All Out Of Love.” I loved the melody and the chord structure but the lyrics were something that I needed help on.

First of all the title needed to be changed as “All Out Of Love” reminded me of an Air Supply song far too much and secondly, the story of the song was a little muddled. This is where Adrian’s magic worked the best, he changed the title and sorted out the story and we both rewrote the lyrics to fit in with the new direction of the song.

I absolutely love it now and recording it gave me some fantastic piano practise. The best of both worlds really.

Enjoy,


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Running Out Of Love
© 2010 C. Stewart/A. Miller

Chorus
I’m running out of love
Running low on love, it brings me down
I’m running out of love
Running low on love, I’m empty now

I know that I have tried so hard
To show you how I feel for you
And you may feel the same way but
I’ve got no way of knowing that it’s true

Chorus

Another cold and lonely night
Staring at each other through the silence
Going over things that might
Have happened if we only took a chance

What happened to our love?
I’ve tried to work it out
So many little things
Are standing in our way
What happened to our love?
What’s it all about?
Is there anything, anything that I can say?

I’m running out of love
Running low on love, I’m empty now


I have so many half finished songs in my songwriting archive that are in dire need of re-writing, I’ll be busy collaborating for many years to come. Bring it on!

Peace,

Corey :)

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To Funk Or Not To Funk? That IS The Question

Bass guitar headstock
Image via Wikipedia

For a while now I’ve been thinking about starting up another funk project. I’ve been testing the waters and keeping one eye and ear out on the scene for a little while to see if the concept of getting a groovy, funky band together again has some merit.

Jeez, I must be some sort of masochist, a glutton for punishment. Another band?

Well, what can I say, I’m a bass player and I’ve always loved getting down and funky. I love the groove, especially when bass and drums merge their respective sounds into one seething mass of funk. I’m always in search of “the one” and generally, I find it.

For those who don’t know me let me shed some historical light on my forays into the world of funk.

It all started in 2000 when a mate of mine asked me to join a band called FunkStar.

The band was initially formed because this mate of mine managed to negotiate a regular Wednesday night gig at a club called the Enigma Bar and he needed a band to fill it. I accepted his offer and FunkStar was born.

However, we scored our first gig at the Rhino Room even before we had out first rehearsal which meant we had no songs to play with so, in a week and a half we scrambled together three rehearsals and hastily jammed out 15 songs.

Phew, talk about pressure but we played the gig and it was awesome.

One of the things we did really well that night was jam endlessly to make the songs longer than they should be and the rest of the time, just make shit up. It worked a treat and that became the FunkStar formula.

Back then there was a real funk scene in Adelaide and FunkStar rode the crest of the wave. We played everywhere wore lots of orange and our live shows were known for their unpredictability. We were unstoppable but sadly, in 2001 FunkStar broke up and I was left holding the baby so to speak. I was devastated.

In 2002 I decided to reform FunkStar with new members and try to pick up where the first band left off but after slogging it out for about 12 months FunkStar (Mk 2) disbanded.

I then tried the funk again in 2003 with a new band and a new name (Orangutang). We were going for a more edgier but jazzier sensibility but that also lasted about 12 months. I wasn’t having a good run.

After all that I decided to give my funk ambitions an indefinite rest, until now.

I’ve been noticing a resurgence of the funk in Adelaide over the last 12 months spearheaded by the landmark venue for all things funk, the glorious Crown and Sceptre Hotel which has been hosting funk bands on a Friday and Saturday night.

Adelaide has a lot of cool venues and I really think there is room for another groovy, funky outfit to grace its stages.

I’ve come to the conclusion that the funk project concept has some merit but I’m still dipping the toe in the water at the moment. Right now there’s so much to do with so little time but I’ll let you know what I come up in the very near future with so watch this space.

Peace,

Corey :)

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CD Baby DIY Musicians Podcast. I Love It!

I love podcasts.

I love the fact that you can subscribe to something that gives you the information you want as it comes out plus the extra benefit of being able to revisit the information at anytime you want.

A podcast is also really handy when you drive around in a car that has no working stereo in it.

I’ve only just started listening to podcasts over the last 6 months and what I’ve noticed is that there are very few songwriting and music business podcasts that are worth listening to. An exception to the rule however, is the CD Baby DIY Musicians Podcast.

I love it.

Along with the CD Baby DIY Musicians Blog it’s very informative, professionally put together podcast but at the same time, it’s personable and informal without sounding like one huge infomercial in which other podcasts I’ve subscribed to are guilty of.

I’ve just downloaded the whole series (there’s 96 of them so far) onto my iPhone and with every one I listen to I pick up at least one new idea, something that I can use in my own music business. In future posts I’ll share with you the ideas and concepts that really inspire me.

My iTunes is telling me that listening to the whole series will take 2.6 days. I best get a move on.

Peace,

Corey :)

CD Baby DIY Musicians Blog
CD Baby DIY Musicians Podcast

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Back To Basics – A Song

“Back To Basics” is the second song that I’ve collaborated with Adrian Miller on and it’s also my first multi-tracking effort using Logic Pro 9 on my home studio setup.

The song evolved from a conversation that we had in which the concept of having too much choice in this world was discussed. From that conversation the first two lines of the song were born and the rest was written from there.

Enjoy,


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Back To Basics
© 2010 C. Stewart/A. Miller

There is so much choice out there
I could so easily lose my way
I could give into temptation, find a new sensation
Each and every single day

There is so much noise out there
I can’t hear a single word you say
There is no communication, but too much information
Swimming around in my brain

Chorus
Let’s get back to basics, keeping only what we need
Let’s get back to basics, what is it we really need?
Let’s get back to basics, looking for simplicity
So let’s get back to basics

It’s a complicated world
It’s so hard just keeping up with the pace
Could it be that maybe, everyone’s gone crazy
Or am I just a hopeless case?

People just don’t seem to care
About anyone else but themselves
No one takes the time to simplify their lives
And compassion can take care of itself

Chorus

You don’t need to try it, you don’t need to buy it
This need to just acquire, it only gives us nothing but trouble
You don’t need the clutter just to make yourself feel better
You cannot take it with you after all is said and done

There is so much choice out there
I could so easily lose my way
I could give into temptation, find a new sensation
Each and every single day

Chorus


Peace,

Corey :)

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A Brief History Of How Music Has Shaped My Life

The Beginning

When I was five years old I asked Mum and Dad if I could have a piano in the house. Dad replied that because there was no room for one I couldn’t. He was right of course but being young I got over that pretty quickly because after all, I still had my imagination to play with.

All through primary school I was writing stories and poems plus, making up songs to go with the poems and drawing pictures to go with the stories. Back then I was an unstoppable ball of creative energy.

It wasn’t until I reached high school that my interest in music really came to the forefront. The school I went to had a very good music program which I was most keen about and it was there that I could really begin to immerse myself in all things musical.

My chosen instrument to learn was saxophone (hey, it was a pretty cool instrument to play in 1983) however, they were all snapped up by other students so the next best thing was learning the clarinet, which I continued to play until I left high school.

Most of my recess and lunch times were spent hanging around the music room practising my clarinet and teaching myself piano. It was an environment in which I really felt I belonged to. Through music theory lessons I was introduced to sheet music, manuscript paper, treble clefs and a vast array of notes to play with.

I wrote my first song a few months after my best friend showed me an A chord on an acoustic guitar which was given to me on my 13th birthday by my Dad, perhaps to compensate not providing me with a piano all those years ago. Having the ability to teach myself guitar at home allowed me to take music home with me after the school day.

Add to that the thrill of writing a new song with each discovery of a new chord and my life was pretty much complete. All of my school friends were budding musicians, my whole life at that time seemed to be revolved around music, it couldn’t get any better than that.

As I left high school (in 1987) and with the spectre of the real world settling in, music became something that allowed me to escape the day to day pressures of living. Music made my growing up a more tolerable experience.

I started up bands which seemed to endlessly rehearse but never played any gigs and at the same time picked up the bass because I could never find a bass player of my own. I was champing at the bit to get out on stage and do my thing but it seemed to be the other members who wanted to make sure everything was “perfect” before setting foot on the stage.

At one time I even had a whole band leave me en masse 24 hours before we were supposed to play a gig. The things I’d put myself through for music.

Wherever I was working at the time I’d carry around a small notebook and pen and scrawl down song lyrics and songwriting ideas at every opportunity. i spent the rest of the time daydreaming what it would be like to play music professionally.

That was my idea of Heaven on Earth and it was my goal to find it.

Sydney

My first taste as a professional musician came in 1994 when I joined yet another band and went to Sydney. We went in convoy with swirling romantic notions in our heads of making it big, bolstered by the fact that the biggest agency in Sydney had decided to put us on their books. We decided that nothing would stop us.

“We’ll play as a cover band to get some money coming in then we’ll start an originals band afterwards” we said to ourselves, “we’ll be able to do both.” Wrong!

After being shunted around every corner of Sydney playing in every shitty dive you could imagine the agency dropped the band after 12 months. We didn’t know this but at the time but we were “that band from Adelaide” that played the venues that no-one else wanted to play at.

With no real Plan B in place and poverty knocking at our door, the band split.

It was at that time I gave up playing music and tried to have a go at living in Sydney as a “normal person.” Four years later, after a nervous breakdown I came back to Adelaide in 1999 with my tail between my legs and the dark cloud of shame and failure in my soul.

Back Home

Even in those really dark times, music never left my side. It would knock on my door but I just wouldn’t let it in. After a few months of not leaving the house (I was living with Mum and Dad at the time) I decided that I’d had enough of this wallowing and that not having music in my life was like living with an amputated limb.

The next time music knocked on my door, I opened it and embraced it with open arms and from that moment on my life was rebuilding.

I was still working day jobs but I was also in bands that had some drive and determination and were wanting to go somewhere. I started to find myself in situations that turned into great opportunities for advancing my music career. In 2006 I had another opportunity to really make a go at playing music professionally which I took with both hands.

“Yes it’s a cover band” I said to myself, “but still, I’ll be doing nothing else.” So, I ran with it and FIGJAM was born. We got our demos together, got out and about and networked like crazy, we played everywhere and for the first time in my life I felt that I was in control of my musical direction plus, I was making a living out of what I loved.

I was a self employed, professional musician.

Even though I was doing what I loved I still came across the same type of ungrateful, difficult, tight-fisted and clueless client/customer that you hear about but think “Nah, I’m a musician, that won’t happen to me.” I started to realise that in my drive to make a living out of music by playing covers I was forgetting the real reason why I wanted to play music in the first place.

Music was starting to become a job and I was starting to burn out.

I hit the wall around 18 months ago and pulled right back from playing gigs which gave me some time to think. I realised that I made the same mistakes I made in Sydney all those years ago. I didn’t have any balance in my life and trying to play covers to fund your originals is not as easy as you might think.

Full Circle

So where am I now? Well, right now I feel like I’ve come out the other side of a long black tunnel. I’m really happy with where I am.

I’m finally doing my CD and that has given me a whole new lease of musical life and I’m starting to play more original gigs now rather than waiting for “the right time” to do it. Doing the Open Mic Network has enabled me to see the real value of a community and to objectively see what opportunities can be found and created for it.

I’ve come full circle. I’m looking at where I am and what I do musically with a fresh pair of eyes and ears and for the first time in a long time, I’m excited about the future.

It comforting to know that music has never let me down, its always been there to pick me up, dust me off and be the means for me to get on with my life. I would hate to think of who I am and where I would be if I didn’t have music in my life. It’s been there for me for as long as I remember and now, just by being true to myself and my chosen craft I have a way in which I can honour and repay the muse.

And repay her I will… In full.

Peace,

Corey :)

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Things Are Better Now – A Song

“Things Are Better Now” is the first song written as a collaborative effort between Adrian Miller and myself as mentioned in my earlier post “The Joys Of Collaboration.” The idea for the song was born out of the first two lines which were swirling around in Adrian’s head for a period of time:

Whenever the glass is half empty
I reach for a bottle and fill it to the top

The lines remind me of something Tom Waits would write, it sounds negative but in fact it outlines a very positive message with the rest of the song attempting to reinforce the sentiments of that message, that “things are better now”

This recording is also my first real attempt at putting something down in my home studio. The drum backing may be slightly naff but all in all, I’m pretty happy with it.

Enjoy,


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Things Are Better Now
© C. Stewart/A. Miller 2010

Whenever the glass is half empty
I reach for a bottle and fill it to the top
I never let misery get me
I treat myself gently, I tell my tears to stop

I keep myself moving
Get through it somehow
I’ve been as far down as a man can go
But things are better now

Whenever I start to feel lonely
I know that it’s only, a matter of time
Till somebody new recognises
That I’m full of surprises, of a very nice kind

Chorus

Once upon a time
I was lost along the way
I could not ease my mind
But that was yesterday
Now I’m looking forward to what each new day brings
Yeah things are better now

Whenever the glass is half empty
I reach for a bottle and fill it to the top
I never let misery get me
I treat myself gently, I tell my tears to stop

Chorus (x2)

Things are better now
Things are better now
Things are better now


Watch this space, there’s more to come.

Peace,

Corey :)

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